Glinka is a brief biography

The story in the dates of Glinka Mikhail Ivanovich, the pages of the biography of Glinka Mikhail Ivanovich - the founder of Russian classical music, Russian Belcanto. From the core of Glinka in St. Petersburg. He studied at a noble boarding house at the main pedagogical school by his tutor, the Decembrist V. took the lessons of the piano game from J. Field and S. Mayer, on the violin - at F.

Beham; Later he studied singing from Belloli, the theory of composition - at Z. in E GG. In gg. Glinka made a trip to Italy and Germany, where he got acquainted with outstanding composers: G. Berlio, V. Bellini, G. G. Glinka - a captain of the court singing chapel in retreat. The mastery of the experience of domestic and world musical culture, the impact of progressive ideas that spread during the Patriotic War and the preparation of the Decembrist uprising, communication with outstanding representatives of literature A.

Pushkin, A. Griboedov, and others. The generalist-realistic creativity of Glinka influenced the further development of Russian music. In the stage of the St. Petersburg Bolshoi Theater, the heroic and patriotic historical opera Glinka "Ivan Susanin" was delivered. Contrary to the Libretto's concept imposed by the composer, the Baron G. Rosen in the spirit of monarchical officiality, at the insistence of the court, was called the “Life for the Tsar”, Glinka emphasized the folk beginning of the opera, glorified the peasant patriot, greatness of character, courage and unbending persistence of the people.

In the same theater, the premiere of the opera "Ruslan and Lyudmila" took place. In this work, colorful paintings of Slavic life were intertwined with fabulous science fiction, pronounced Russian national traits with oriental motifs from here originism in the Russian classical opera. Reflecting the content of the playful, ironic youthful poem of Pushkin, taking the basis of the libretto, Glinka came to the forefront of the majestic images of Ancient Rus', the heroic spirit and multifaceted emotionally rich lyrics.

Glinka operas laid the foundation and outlined the development paths of Russian opera classics. Glinka operas approved the world significance of Russian music. In the field of theatrical music, Glinka's music for the tragedy of N. Kukolnik "Prince Holmsk" post has great artistic value. This trip approved the European popularity of the Russian genius. Berlioz, who performed in the spring of G., was successfully held by Glinka’s author’s concert in Paris, becomes a great admirer of his talent.

In the same place, in the year he wrote the symphonic fantasy "Kamarinskaya" with Russian folk topics. This is an unusually cheerful, full of humor of fantasy, enjoying which associations arise with Russian folk holidays, folk instruments and folk choral singing. In Spain, Mikhail Ivanovich studied culture, morals, the language of the Spanish people, recorded Spanish folklore melodies, observed folk festivities and traditions.

The result of these impressions were 2 symphonic overtures: “Aragon Khota” G. Musical art Glinka characterize the fullness and versatility of the coverage of life phenomena, generalization and convexity of artistic images, the perfection of architectonics and a common light, life -affirming tone. His orchestral letter, combining transparency and impressiveness, has a bright imagery, brilliance and wealth of colors.

The master's ownership of the orchestra was versatile in the stage music of the overture "Ruslan and Lyudmila" and in symphonic plays. In the scherzo for the Kamarinskaya orchestra, the wealth of Russian folk music and the highest achievements of professional skill are synthesized. The harmony of attitude is the vocal lyrics of Glinka. Many -faced by topics and forms, she turned on, in addition to Russian song - the foundation of the Glinka melodics - also Ukrainian, Polish, Finnish, Georgian, Spanish, Italian motifs, intonations, genres.

His romances stand out for Pushkin’s words in Comrade Glinka created about 80 works for the voice with piano romances, songs, arias, chanconsettas, vocal ensembles, vocal sketches and exercises, choirs. He owns chamber-instrumental ensembles, including 2 strings of the quartet, a pathetic trio for piano, clarinet and baskets, the basic creative principles of Glinka remained loyalty to the subsequent generations of Russian composers, enriching the national musical style with new content and new expressive means.

Under the direct influence of Glinka - a composer and a vocal teacher - a Russian vocal school has developed. Glinka took the singing lessons and the singers N. Ivanov, O. Petrov, A. Petrov-Vorobyov, A. Lodia, S. Gulak Artemovsky, D. Leonova and others recorded his “Notes on Tools”, published Glinka left the memoirs of “Notes”, and published Glinka, also visited Berlin, Paris, Paris, Paris, Paris, Paris, Paris, Paris, Paris, Paris, Paris, Paris, Paris.

Spain, Warsaw, Glinka died on February 15 in Berlin. At the insistence of the younger sister M. Igor Glebov, Glinka, 2 ed. Research and materials, ed. Ossovsky, L. Collection of materials and articles, ed. Livanova, M.New materials and documents, b. The annals of life and creativity, comp. Orlova, M. On the Letniya from the day of death. Gordeeva, M. Glinka, M. Musical and Theoretical Research, M.