Vladislav Zolotarev Biography

Belarusian music Nota archive 4 Oct AM Vladislav Zolotarev entered the world of bayan art rapidly, brightly, boldly, his works immediately attracted the attention of the audience with their originality and modernity. The audience was literally stunned by the imagery and identity of the musical language, “impudent” textured and performing finds in the works of the young author.

It seemed that it was not a button accordion, but a completely new musical instrument. According to the apt observation of the writer V. Soloukhin, an interesting, extraordinary composition causes indignation among one part of the public, the other - bewilderment, the third has delight. Something similar arose in the performance of the works of Vl. Around his music, disputes immediately flared up between enthusiastic connoisseurs and their active opponents, which, by the way, are now almost gone.

In any case, Zolotarev’s music leaves no one indifferent, which in itself speaks of creative courage and novelty in art, because they usually do not argue about the ordinary. By the middle of the x, mass distribution had a button accordion with ready -made chords in the left keyboard. The multi-sample ready-to-engaging Bayan was the property of only individual performers, and a few units were engaged in concert activities.

For the traditional button accordion, a rather large repertoire was already created, including the works of prominent Soviet composers F. Rubtsov, A. Kholminov, N. Tchaikin, Yu. Shishakov, K. Myaskov, A. Repnikov and others.

The lambs of the works of domestic and foreign classic composers occupied a significant place in the repertoire of the Bayanists. Works of Vl. Zolotarev began to gain popularity by the end of the X. By this time, the massive need for an improved design tool was felt most acute, since the performing culture of the Bayanists, which has accumulated rich experience over the previous decades, began to conflict with bayancords with ready -made chords.

The participation of the best Soviet Bayanists at international competitions becomes a tradition. These responsible competitions revealed many young talented performers who successfully began to concert around the country and abroad along with the old -generation button accordion. During this period, a rather paradoxical situation developed: the button accordion was finally formed as a ready-election, multi-sized instrument and became widespread in conservatories and schools, the circle of concert musicians-buckets has no longer expanded, and there was no original repertoire for such an instrument.

There is a pressing need for composers to write more actively for a new tool. The appearance of Zolotarev in the button accordion was as timely possible, he is not only a bayanist and writes precisely for a ready-to-select, multi-plane button accordion, but writes substantial, deep music. She immediately captivates a huge mass of button accordions. The leading performers actively include the works of the young author in their programs, his music finds a lively response from the audience.

We will try to understand the cause of such a quick and wide recognition. In art, it is very important: it is modern or not. However, modernity is a very complex concept. It all depends on how much this or that work of art with the spiritual world of a progressively thinking person resonates, how consonant it is with him at the moment. Many masterpieces of musical classics are modern at all times, in all eras, but sometimes it happens that the music that has just come out of the composer’s pen is obviously old.

In this regard, we can say with confidence that the works of I. Bach will always be modern. The works of Zolotarev immediately gained wide popularity primarily because his music is highly realistic, and its figurative system is consonant with the inner world of our contemporary. It is the modernity in combination with the workshop use of artistic and expressive means of multi-sized chosen and election button accordion that they gained popularity and love among musicians in such a short time.

Zolotarev wrote to Bayan a brightly, temperamental, widely using Show Likes Belarusian music. Message Archive 4 Oct AM in recent years on the work of Zolotarev markedly affected the influence of the Novovensky school. But the composition of the composition with the help of 12 non -casual tones for him is not a dogma. He himself is engaged in developments in this area. In one of the diaries on this subject there is a record: “We can compose as Schounberg and his followers, but because of our natural-national characteristics, we should not compose like that.

We need to find your own path, having the result of the Novovens in front of us. ” A number of significant works for the button accordion have appeared. Among them: two concert symphonies for the button accordion and the symphony-orchestra4, two sonatas, five compositions, the Spaniada, the Children's Suyut cycle, mourning music, imitating Mussorgsky, rondo-caccioso for three buttonholes, etc.In the year, the polyphonic notebook “24 Meditations for the Bayan” was completed, created, obviously, under the influence of the “art of Fugi” by I.

Bach, but using Deventekhoton technology. The words are suggested by this opus: “A real composition is a material capable of being voiced not only on the button accordion, but also on the organ, guitar, piano, accordion, as well as vocal and instrumental ensembles in elementary irritation, without distorting the composer's text.” In these works of Vl.

Zolotareva is more and more clearly felt by a tendency to concentrated philosophical thoughts on the essence of being, peace, and the universe. In the creative imagination of the composer, more and more interesting planes of large works for Bayan, Choir, orchestra arose. But, unfortunately, at the time of the highest heyday of creative forces, the life of a talented composer broke off.

This happened on May 13. Show Likes.