Pumpyansky Alexander Biography

Makhnach, sound engineer Yu. Oganjanov, journalist A. Pumpyansky, operator I. Photo from the family archive of Yu. Oganzhanov son Yu. Pumpyansky Alexander Borisovich was born on December 18 in Moscow-a journalist of the obearnder, screenwriter, publicist. For a year he worked in the newspaper Komsomolskaya Pravda, went from a literary employee of the international department to the responsible secretary.

In the year he became his own correspondent of Komsomolskaya Pravda in New York. B - - Deputy editor -in -chief of the newspaper Moscow News. B - - Deputy editor -in -chief of the magazine "New Time". From August to - the editor -in -chief of the New Time magazine C - The New Times. He was also the owner of the magazine up to a year. C is an independent journalist, collaborates with the New Gazeta.

In the years, he collaborated with the Central Administration of the Central Executive Committee as an author. Moscow, Kremlin. Toidze, beginning. Shikhov; In the fourth row: playwright Edwin Polyanovsky on the left. Photo from the archive of E. In the year, Alexander Pumpyansky was awarded the Vaclav Vorovsky Prize.

In March, he was elected president of the ASP Free Press Academy. Laureate of the Lenin Prize laureate of the Stalin State Prize - posthumously. Daughter - Pumpyanskaya Seda Alexandrovna genus. C - - responsible employee of the UN apparatus - head of the public information service and the head of the public relations service; She worked at the UN headquarters in New York, in the UN missions in Guatemala, Kosovo and Bosnia; in the Council of Europe - Public Relations Director; B--Vice President, Head of the Department for International Relations and Public Relations "Skolkovo".

Troshkin; Scenario authors: Pankin B. Troshkin, V. Gorbunov, A. Panin-the right to life is a film-reflection on what the Americans concern, what they consider with their national problem, their pain and misfortune; full -length; script author A. Pumpyansky; Director V. Troshkin; composer L. Gedravichus; sound operator Z. Uzdin; announcer G. Zhzhenov; editor of E. Feoktistova; Film-School editor A.

Sum-Shik; Ass. Spryshkova; Director of the picture V. War in the rear of the enemy, the film of the 4th epic "Great Patriotic War"; Director V. Katanyans; The author of the text A. Rybakov: author of the text A. Pumpyansky - the march of the world 81, directed against an attempt to turn the countries of Western Europe into a training ground of nuclear war; By order of the Committee for the Protection of the World; Director Makhnach L.

Pumpyansky; sound engineer Yu. Oganjanov; Mounter: a. Kovirkova; editor S. Plyusnin; Direkor Pictures by V. Chernenko - Echo Grenada about the aggressive foreign policy of the American administration, military invasion of Grenada, the situation in the Caribbean; Director L. Makhnach; script author A. Pumpyansky; Operators: V. Dobrotnitsky, A. Klimentyev - nuclear smallpox film The second of the series "New Thinking in the Nuclear Age".

Pavement; Scriptwriters: A. Bovin, A. Pumpyansky; Operator Yu. Gorbachev and R. Reagan; full -length; Director Makhnach L. Pumpyansky; operators V. Pumpyansky; operators; I. Bantsev, V. Bibliography - not on Tuesday this week with. From Ben Laden to James Bond. From "Forbes" to "playboy" p. The press from the Istmat to compromise p. This is its main difficulty, but this is its unique attractiveness for those who are drawn into the orbit of its creation.

Documentary films are becoming more and more documentary, and not organized under the document. Of course, a lot depends on the author of the script - his professionalism, talent, on the size of his character, personality. Unfortunately, such authors, the very presence of which in the work on the film is already the key to success, is extremely few. These are B. Dobrodeev and K.

Slavin, G. Borovik and G. Shergov, I. Itskov and A. The authors are different, but they have something in common: the ability to live not with a mission of their scenario, but to the dialectic of the development of events, to discard him - yesterday, in order to take tomorrow - both in the film and in himself.