Biography of Yudin Marina

Russia Maria Yudina. The genius of pure simplicity, the pianist Maria Yudina became a legend during his lifetime, although she was indifferent to excessive attention to herself and did not accept flowers from fans after performances. Feeling neglect of material values, Maria Veniaminovna shocked the audience with an unpresentable appearance and appearance at concerts in a constant black dress, more reminiscent of the clothes of the nun.

But after the first musical tacts, the public forgot about the prejudices of the external sense, plunging into the divine world of sounds and harmony of Maria Yudina. Her performances made people better, spiritually cleaner. The essay in the interpretation of Yudina, who at one time hit the soul and heart of Stalin, magically acts on the current students of the Gnesins Music Academy.

Here Yudina taught for a long time. The audience, however, is not pianists, but the Korovik conductors. How can one not recall that in her youth, Maria, a student of the St. Petersburg Conservatory, sang in the church choir of the Church of the Resurrection of Christ the Savior on Blood. Critics noted the depth of bass lines in piano scores performed by Yudina. She had a velvet bottom of the support of the entire musical text, which allows you to draw parallels just with a choral sound.

All students who are trained in the “Yudin class” certainly devoted a grand pianist in history from the life of the life. But they talked more about her eccentric robe, but with miraculous piano talent. The current pianists, listening to Yudina’s notes, all as one noticed that she played more slowly than it is accepted today. She literally pierced her contemporaries with an outwardly restrained manner of execution and, in contrast, confessionality of the interpretation of the musical text.

When Yudin plays Lacrimosa Mozart, it is scary to breathe, afraid to frighten away the burning pauses, bringing it not to tears, but the highest enlightenment. The Yudin reading of the “Goldberg-Curiations” of Bach, without scattering adjectives, can be characterized by the most difficult by the term Semplice, which means “simple” in Italian. With what power, the organ prelude and Fuga La Minor Bach, played on just the cabinet piano, sounded in its performance ...

The pianist worshiped not only the music of Bach, a related religious soul, but also considered the style of the style of composers of the 20th century. Maria Yudina admired the writings of Stravinsky, Weberna, Hindemit, conducted correspondence with Boulaz, Shtokhausen, and it showed interest in the work of Shenberg, the creator of dodecafonia. For some reason, Maria Veniaminovna performed the works of Maskovsky and Prokofiev, incomprehensible to the people, rebuilt into a straightforward way to build developed socialism.

The Soviet leaders tried to impose the image of a dissident to Maria Veniaminovna. But she was not interested in politics, she did not write letters of protest, did not call for demonstration. If I read Pasternak’s poems, it is only because she liked them. Yudina defended during the persecution of Shostakovich, because she considered him a longtime friend, whom she met while studying at the St.

Petersburg Conservatory. In the year, after the “famous” resolution of the Central Committee on formalism in music, in the old building of the Union of Composers, dear authors with the “wolf” enthusiastically smashed the “presumptuous” colleagues, including Shostakovich. After the meeting, he, pale as chalk, absolutely lost, killed morally, one went outside. Here he, also alone, was waiting for Yudin.

After more than twenty years, it was Shostakovich who took over the organization of the memorial service and the funeral of Yudina. None of the prominent cultural figures on what had happened has responded. Maria Veniaminovna passed away in the year tired, devastated, incomprehensible to any of the regimes in which she had to perform a creative feat daily.

Even during the thaw, when Soviet culture swallowed the fresh air of freedom, Yudina remembered Stalin’s tolerant attitude towards her. Pianists spoke about mighty talent only in the beginning of the 10ths, when Messian and Stravinsky became “note” classics, and Pasternak ...

a fashionable writer. Text: Irina Stolyarova to God - through the art of a great pianist, a man of encyclopedic knowledge and incredible energy, Maria Yudina was born in the town of Nevel of the Vitebsk province. From her parents, she inherited inexhaustible energy and passionate temperament. The girl began to make music early, and by the age of six she showed such a talent that under her wing she was accepted by the student of Anton Rubinstein Frida Levinson.

This brilliant pianist did not take the students and made an exception only for the young Masha. The youth of Maria Yudina fell on the stormy revolutionary years. She meets them in the very center of events, in Petrograd - there the girl enters the conservatory. In parallel, she joins the people's police, studies history and philosophy, and then plunges into religion.

Spirituality for her becomes one of the leitmotifs. In the diary, she writes: "I know only one way to God - through art."Together with Vladimir Sofronitsky, Maria Yudin becomes the last owner of the honorary title “Laureate of the St. Petersburg Conservatory”. As you know, according to the will of Anton Rubinstein, the best graduate was awarded the royal.

In the year, the Art Council could not choose the best of two candidates, and both pianists were awarded - however, only on paper. The next year they decided to cancel the tradition. After graduating from the conservatory, the young girl becomes a teacher in Alma Mater. She first performs with an orchestra at the Petrograd Philharmonic, and since then concerts have become an integral part of her life for her.

Students adore Judin. The pianist appears behind the piano in long black dresses with a cross on her chest, there are rumors that she wears Veriga, her performance leaves no one indifferent. The commitment to religion becomes one of the reasons for dismissal, but soon Yudin is invited to the Moscow Conservatory. A recognizable style and scale of creative talent is distinguished by Maria Yudin among other pianists.

Her concert performance often does not fit into the usual framework. A bold and fresh reading, peculiar interpretations - thanks to them, it is already called one of the best performers of music by Mussorgsky, Shostakovich and Bach during life. She loves with love at that time the works of Igor Stravinsky at that time, introduces the Soviet listener to many Western composers.

During concerts, she often reads the verses of modern poets, shares his thoughts about spirituality and art. Listening to music is a cognitive process of a high level. ” Whatever she play, her performance always filled with special, fresh energy even well -known melodies. Maria Yudin is rightly called a person of the Renaissance. She went down in history as a brilliant musician, a man of broadest knowledge and interests, as a unique person with a complex worldview.

She boldly defended her views, played with rapture for any public and generously handed out her fees to those in need. Until the end of her days, Maria Yudina kept a warm friendship with her students, for many, working with her became a turning point in a creative life. After her departure in November, a friend of the great pianist, Ekaterina Krashennikova, wrote: “They say that there were hopeless years.

A brilliant pianist who studied with Anton Rubinstein saw such a talent in the girl that she made an exception to never take students from her rule; Together with Vladimir Sofronitsky, Maria Yudina became the last owner of the honorary title “Laureate of the St. Petersburg Conservatory”. According to the testament of Anton Rubinstein, the best graduate was awarded to the piano. The next year they decided to cancel the tradition; Maria Yudina was a deeply believers.

She distributed her fees to those in need, she sent prizes to maintain temples, and at concerts she often appeared in a long black dress with a cross on her chest. For commitment to religion in X she was fired from the St. Petersburg Conservatory; The pianist had a very wide range of interests. She knew the story perfectly, possessed a literary gift, conducted correspondence with philosophers and poets.

Often, after concerts, Yudin arranged lectures on the history of art or simply gave poetry. Once she was forbidden to speak for five years to read from the scene of the passage of Dr. Zhivago Boris Pasternak; For the Soviet listener, Maria Yudin became the first performer of music of many modern European composers. Legal information.